11/3/2022 0 Comments T.c.electronics g force![]() ![]()
#T.c.electronics g force PatchThe display section comprises two areas - an LCD window for patch selection and parameter editing, and something called the Billboard, which behaves rather like those scrolling text advertising signs you see at trade shows. Unusually, the power switch is a momentary‑action button, so to prevent G Force being switched off by accident, you have to hold down this button for at least three seconds before releasing it in order to switch the unit off. The front panel houses the input and output level controls, a PCMCIA expansion card slot, a display section, 22 control buttons and two data‑entry knobs, one for Parameter and one for Value. #T.c.electronics g force fullG Force comes housed in a smartly styled 1U rack, and in addition to the rear‑panel digital and analogue I/O already mentioned, there's also a full set of MIDI In, Out and Thru connectors, as well as an external control input jack that can be used with a standard expression pedal. External MIDI or pedal control of effect parameters is possible, but there's no dedicated pedalboard - something I think gigging professionals might ask for. ![]() #T.c.electronics g force seriesThe user has access to eight effect types that can be run simultaneously with no 'out of DSP capacity' messages, the effects blocks may be freely routed in both series and parallel configurations, and there's a powerful modulation system, known as the Modifier Matrix, that enables the user to set up various real‑time control functions. In order to make the G Force attractive to as many users as possible, TC have given it stereo balanced outputs on jacks, stereo inputs on high‑impedance (instrument/line‑compatible) jacks and 24‑bit, 44.1kHz digital I/O on S/PDIF phono connectors. To this end, both overdrive and intelligent harmony creation have been added to the more familiar armoury of studio effects such as reverb, delay, modulation and so on. The G Force is aimed at serious guitar players who want to get rid of their mess of pedals and replace them with one unit that does it all. They also pay more attention than most to making their units easy to operate, while retaining all the flexibility needed to satisfy those programmers who like to really get inside a patch. TC Electronic have built their reputation on ultra‑clean‑sounding effects that are musically as well as technically excellent. It will give you stereo output in either case.Though marketed as a guitar effects unit, the G Force might be more accurately described as a full‑function studio effects processor with some neat guitar‑related functions added. If moreĪdjustment is necessary, adjust the last effects output control of the power amp input attenuator."Īs far as input to the GForce, there is no reason to send it a stereo signal from a mono pre. Different effects may require slightly different setting but this should be close. Should increase the volume 20% as well as raising the input level of your effects about the sameĪmount. ![]() Then set your highest stage volume about 5-5 1/2. "effects send" level controls as well as output volume masters.įor best results, set your lowest stage volume at about 3 1/2 on the Output controls and your firstĮffect so it has about 30% headroom left. By using this set-up, you gain a little more flexibility with the effects input levelīecause the "Output" Control(s) located on the lower right corner of the front panel become ![]() Switch so make sure the switch on the Quad coincides with wherever your effects headroom/inputĪnother popular way to interface effects with the Quad is to use one (or both) of the main out jacksĪs an effects send. Most of today’s rack mount effects incorporate a similar When studio quality rack effects are in use, the Line Level When using floor pedals or "inexpensive" rack effects, "Low It is equipped with a "Low Level/Line Level" switch that makes for easy "EFFECTS LOOP: The effects loop in the Quad is a Stereo loop with a “mono” (or single) send and #T.c.electronics g force manualBut, being the dweeb I am, I pulled up the manual from Mesa's site. My natural assumption was to use the EFX loop (that's why it's there, right?). I was just getting ready to plug my GForce into my Quad fort the 1st time. But, I know I could be missing something. I also wonder for those who do use the outs from the Quad into a stereo unit, do you just use output A, or both outputs A & B? It seems a little silly to me to bother with using both outs when the Quad is a mono device. I wanted to ask you folks with some experience with hooking a stereo effects unit up to a Quad pre, what works best for you? I know I can use the effects loop or just plug the outs of the Quad into the G-Force. I have recently acquired a TC Electronics G-Force. I have used my beloved Quad pre with my Simul-Stereo 395 for years. ![]()
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